we are pleased to announce the screening of “WAKITA PEAK” in the presence of the director, MASATAKA KIYONO! don’t miss this magical night at the engawanoie!
清野正孝 （masataka kiyono）1980年生まれ。湘南在住の映像作家。米国、Los Angeles City Collegeで映画制作を学ぶ傍ら、サーフィンーに魅せられる。帰国後、テレビドラマ制作会社の助監督を経て、フリーランスの映像作家となる。サーフィンの旅をテーマにしたアートフィルム作品ではブラジルのフィルムフェスで作品賞を受賞。本作『WAKITA PEAK』は初の長編作品となる。ショートドキュメンタリーコンテスト、ヌーヴェルヴァーグ主催。instagram
レアンドロ・ピサノさんがベアトリーチェ・フェラーラさんと共に2019年に発表した「MANIFESTO OF RURAL FUTURISM ／田舎未来主義宣言 (2019)」では、経済・文化・政治の都会中心な構造、そして田舎が周縁的な場所として認識される価値観が見直されるべき、という考えが示されます。実際にレアンドロさんが手掛けたアートフェスティバルInterferenze new arts festivalやLiminariaの模様を（ネット上にある情報から）のぞいてみると、テクノフェスのような、サウンドアーティスト大集合の会のような、あるいは真剣な討論が行われていたり、、、これは何だろう？
レアンドロ・ピサノ Leandro Pisano
キュレーター、ライター、研究者。アート、サウンド、テクノカルチャーの相互作用に関心を持ち、特に農村地域、辺境地域、遠隔地の政治的エコロジーを研究している。Interferenze new arts festival（2003）の創設者兼ディレクターであり、Mediaterrae Vol.1（2007）、Barsento Mediascape（2013）、Liminaria（2014‒18）などの電子・音響芸術のプロジェクトに多く携わる。主な展覧会に、「Otros sonidos, otros paisajes」（MACRO Museum – Rome、 イタリア、 2017）、「Alteridades de lo invisible」（Festival Tsonami、Valparaíso、チリ、 2018）、「Manifesto of Rural Futurism」（イタリア文化会館メルボルン、オーストラリア、2019）等がある。その他、世界数カ国にまたがり、大学や、ニューメディアの美学、デザイン、サウンド・地域再生プロセスに関するイベントにおいて、プレゼンテーション、カンファレンス、ワークショップを実施。『Corriere della Sera – La Lettura』、『Blow-Up』、『Doppiozero』、『Neural』、『Exibart』、『Nero Magazin』など、複数の雑誌に記事を執筆している。著書に『Nuove geografie del suono. Spazi e territori nell’epoca postdigitale』（Meltemi社刊、2017）。ナポリ東洋大学で文化・ポストコロニアル研究の博士号を取得し、現在はイタリア国立ウルビーノ・カルロ・ボ大学の英米文学の名誉研究員。
Leandro Pisano, an Italian curator who explores the complex dynamics between rural territory and urban space through technoculture, comes to the engawanoie!
The “Manifesto of Rural Futurism,” proposed by Leandro, reimagines the urban-centric structure of economy, culture, and politics as well as the marginalization of rural areas as places on the periphery.
Okey, I looked at his projects like “Interferenze new arts festival” or/and “Liminaria”, they looked like a fun techno festival, a happy meeting of sound artists and/or a serious debate, or… what is it? What is it?
Enough, let’s listen to what Leandro has to say first. I feel that the meaning of “here”, where you are, is becoming clearer for us in a positive sense. In this expectation, I named the event “VIVA here, listen to the voice of the land!” Yukiko Shikata (Curator/Critic) and Prof. Yosaku Matsutani will join as dialogue partners of Leandro (how gorgeous!).
Hope you can join our conversation wether here (at engawanoie) or there (online). Live broadcast will be hopefully available.
Date and time: Sunday 16 July 2023, from 14:00 (JST)/ 7:00 (CEST)
Place: tatami room of engawanoie
Live streaming: engawanoie YouTube
Program:
– Who are you, Leandro? – presentation by Leandro
– ‘MANIFESTO OF RURAL FUTURISM / Manifesto of Rural Futurism (2019)’ reading by Leandro Pisano
– Ask Leandro anything!
Leandro Pisano is a curator, writer and independent researcher who is interested in intersections between art, sound and technoculture. The specific area of his research deals with political ecology of rural, marginal and remote territories. He is founder and director of Interferenze new arts festival (2003) and frequently he is involved in projects on electronic and sound art, including Mediaterrae Vol.1 (2007), Barsento Mediascape (2013) and Liminaria (2014‒18). Among the sonic arts exhibitions he has curated, there are”Otros sonidos, otros paisajes” (MACRO Museum–Rome, Italy, 2017), “Alteridades de lo invisible” (Festival Tsonami, Valparaíso, Chile, 2018) and “Manifesto of Rural Futurism” (Italian Cultural Institute of Melbourne, Australia, 2019). He conducted presentations, conferences and workshops in different universities or during events related with new media aesthetics, design, sound and territorial regeneration processes in several countries worldwide. He has written articles in several magazines, such as “Corriere della Sera –La Lettura”, “Blow-Up”, “Doppiozero”, “Neural, Exibart” and “Nero Magazine”. He is author of the book “Nuove geografie del suono. Spazi e territori nell’epoca postdigitale”, published in Milan by Meltemi (2017). Leandro Pisano holds a PhD in Cultural and Post-Colonial Studies from University of Naples “L’Orientale”and he is presently Honorary Research Fellow in Anglo-American Literature at University of Urbino “Carlo Bo”.
Return to Surf in Post-Tsunami Aceh and Fukushim with Adam Doering | Lecturer at Wakayama University Yuko Takahashi | Surfer from Fukushima Sarani Pitor Pakan | Phd Writer at University of Otago, New Zealand Monday, 28 November 2022 | 10.00 AM (Ache)/ 12.00 AM (Japan UTC + 9) Anthony Reid Seminar Room, ICAIOS Live on ICAIOS Facebook Page www.facebook.com/ICAIOSAceh
I am very honored to have been invited to participate in a public discussion session on “Return to Surf in Post-Tsunami Aceh and Fukushima” organized by ICAIOS, Icaios Aceh-International Center for Aceh and Indian Ocean Studies and looking forward to sharing our stories with member of ICAIOS, Adam Doering, Sarani Pitor Pakan and YOU! Everyone is welcome, so please join us!
every time I say “the sea of fukushima” i feel a tingle, but that’s our strength, isn’t it? like a tingle – chikkuri, chikkuri – I hope this beauty and story touches many people.
our friend, pascal is a french photographer who fell in love at first sight here and has been photographing ever since. that was in 2016 if i remember correctly, just a few weeks later he started a new life in Japan with his partner manon. today, in march of 2022, he is finally showing what he captured in fukushima at the slope gallery. together with the presentation of soichiro mihara’s “blank projects“, “umarekawaru” will be shown at the slope gallery until march 19. how you can miss this opportunity?!!
as one of the hirono/futaba gun surfers, i am going to join the talk “pacific art network #2 – 10 years after 3.11” on 9th march at 20:00 (jpt)/3:00 (pst), very gladly.
i have been immersing in surfing, quite hopelessly! but i haven’t think about the reason to this day. on this occasion, i will think about that and hope i can share it with you.
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