暑中お見舞い申し上げます！暑い日々が続いていますが、お元気でお過ごしですか？
外出がつらいそんな真夏・猛暑日には、クーラーの効いた快適なお部屋で先日のトーク「VIVAここ、土地の声を聴け！」のアーカイブはいかがでしょうか？（日・英の字幕の完成まではしばらくお待ちください） Too hot to go out? Then how about to watch the recorded video of our talk on July 16th “VIVA here, listen to the voice of the land!” at a comfortable place? (Please wait for a while the final version with the English and Japanese subtitles.)
video description
「ViVAここ、土地の声を聴け！- レアンドロさん、教えて「田舎未来主義宣言」って何ですか？」（2023年7月16日、@縁側の家）出演：レアンドロ・ピサノ（キュレーター、ライター、研究者）、四方幸子（キュレーター・批評家）、松谷容作（追手門学院大学社会学部教授）、高橋優子（縁側の家）。詳細はこちら “VIVA here! listen to the voice of the land – Leandro, what is the MANIFESTO OF RURAL FUTURISM”? (July 16, 2023, @engawanoie) Speakers: Leandro Pisano (curator, writer and independent researcher), Yukiko Shikata (curator, critic), Yosaku Matsutani (professor at otemon gakuin university), Yuko Takahashi (engawanoie) . more about the event: here
トーク中にレアンドロが見せてくれた、現在国際芸術センター青森で開催中の展覧会「エナジー・イン・ルーラル」の画像（撮影・写真提供：レアンドロ・ピサノ）も合わせてどうぞお楽しみください！涼を求めて青森へ？大賛成！9月24日まで開催中です（展覧会は第１期と第２期があります）。展覧会の詳細はこちらでどうぞ。 Also you can enjoy the photos of the exhibition ‘Energies in the Rural‘ at the Aomori Contemporary Art Centre (photo by Leandro Pisano) which Leandro shows during the talk. Are you curious enough about the exhibition? It runs until September 24, 2023! Check more information about the exhibition: ACAC
“Energies in the Rural” exhibition at Aomori Contemporary Art Centre, photos by Leandro Pisano
レアンドロ・ピサノさんがベアトリーチェ・フェラーラさんと共に2019年に発表した「MANIFESTO OF RURAL FUTURISM ／田舎未来主義宣言 (2019)」では、経済・文化・政治の都会中心な構造、そして田舎が周縁的な場所として認識される価値観が見直されるべき、という考えが示されます。実際にレアンドロさんが手掛けたアートフェスティバルInterferenze new arts festivalやLiminariaの模様を（ネット上にある情報から）のぞいてみると、テクノフェスのような、サウンドアーティスト大集合の会のような、あるいは真剣な討論が行われていたり、、、これは何だろう？
レアンドロ・ピサノ Leandro Pisano
キュレーター、ライター、研究者。アート、サウンド、テクノカルチャーの相互作用に関心を持ち、特に農村地域、辺境地域、遠隔地の政治的エコロジーを研究している。Interferenze new arts festival（2003）の創設者兼ディレクターであり、Mediaterrae Vol.1（2007）、Barsento Mediascape（2013）、Liminaria（2014‒18）などの電子・音響芸術のプロジェクトに多く携わる。主な展覧会に、「Otros sonidos, otros paisajes」（MACRO Museum – Rome、 イタリア、 2017）、「Alteridades de lo invisible」（Festival Tsonami、Valparaíso、チリ、 2018）、「Manifesto of Rural Futurism」（イタリア文化会館メルボルン、オーストラリア、2019）等がある。その他、世界数カ国にまたがり、大学や、ニューメディアの美学、デザイン、サウンド・地域再生プロセスに関するイベントにおいて、プレゼンテーション、カンファレンス、ワークショップを実施。『Corriere della Sera – La Lettura』、『Blow-Up』、『Doppiozero』、『Neural』、『Exibart』、『Nero Magazin』など、複数の雑誌に記事を執筆している。著書に『Nuove geografie del suono. Spazi e territori nell’epoca postdigitale』（Meltemi社刊、2017）。ナポリ東洋大学で文化・ポストコロニアル研究の博士号を取得し、現在はイタリア国立ウルビーノ・カルロ・ボ大学の英米文学の名誉研究員。
Leandro Pisano, an Italian curator who explores the complex dynamics between rural territory and urban space through technoculture, comes to the engawanoie!
The “Manifesto of Rural Futurism,” proposed by Leandro, reimagines the urban-centric structure of economy, culture, and politics as well as the marginalization of rural areas as places on the periphery.
Okey, I looked at his projects like “Interferenze new arts festival” or/and “Liminaria”, they looked like a fun techno festival, a happy meeting of sound artists and/or a serious debate, or… what is it? What is it?
Enough, let’s listen to what Leandro has to say first. I feel that the meaning of “here”, where you are, is becoming clearer for us in a positive sense. In this expectation, I named the event “VIVA here, listen to the voice of the land!” Yukiko Shikata (Curator/Critic) and Prof. Yosaku Matsutani will join as dialogue partners of Leandro (how gorgeous!).
Hope you can join our conversation wether here (at engawanoie) or there (online). Live broadcast will be hopefully available.
Date and time: Sunday 16 July 2023, from 14:00 (JST)/ 7:00 (CEST)
Place: tatami room of engawanoie
Live streaming: engawanoie YouTube
Program:
– Who are you, Leandro? – presentation by Leandro
– ‘MANIFESTO OF RURAL FUTURISM / Manifesto of Rural Futurism (2019)’ reading by Leandro Pisano
– Ask Leandro anything!
Leandro Pisano is a curator, writer and independent researcher who is interested in intersections between art, sound and technoculture. The specific area of his research deals with political ecology of rural, marginal and remote territories. He is founder and director of Interferenze new arts festival (2003) and frequently he is involved in projects on electronic and sound art, including Mediaterrae Vol.1 (2007), Barsento Mediascape (2013) and Liminaria (2014‒18). Among the sonic arts exhibitions he has curated, there are”Otros sonidos, otros paisajes” (MACRO Museum–Rome, Italy, 2017), “Alteridades de lo invisible” (Festival Tsonami, Valparaíso, Chile, 2018) and “Manifesto of Rural Futurism” (Italian Cultural Institute of Melbourne, Australia, 2019). He conducted presentations, conferences and workshops in different universities or during events related with new media aesthetics, design, sound and territorial regeneration processes in several countries worldwide. He has written articles in several magazines, such as “Corriere della Sera –La Lettura”, “Blow-Up”, “Doppiozero”, “Neural, Exibart” and “Nero Magazine”. He is author of the book “Nuove geografie del suono. Spazi e territori nell’epoca postdigitale”, published in Milan by Meltemi (2017). Leandro Pisano holds a PhD in Cultural and Post-Colonial Studies from University of Naples “L’Orientale”and he is presently Honorary Research Fellow in Anglo-American Literature at University of Urbino “Carlo Bo”.
Return to Surf in Post-Tsunami Aceh and Fukushim with Adam Doering | Lecturer at Wakayama University Yuko Takahashi | Surfer from Fukushima Sarani Pitor Pakan | Phd Writer at University of Otago, New Zealand Monday, 28 November 2022 | 10.00 AM (Ache)/ 12.00 AM (Japan UTC + 9) Anthony Reid Seminar Room, ICAIOS Live on ICAIOS Facebook Page www.facebook.com/ICAIOSAceh
I am very honored to have been invited to participate in a public discussion session on “Return to Surf in Post-Tsunami Aceh and Fukushima” organized by ICAIOS, Icaios Aceh-International Center for Aceh and Indian Ocean Studies and looking forward to sharing our stories with member of ICAIOS, Adam Doering, Sarani Pitor Pakan and YOU! Everyone is welcome, so please join us!
Stone and Makoto designed by Andreas Schneider / published by Edition Patrick Frey I had met Makoto Fujiwara, a Japanese sculptor only once before he pass away. Translating this huge project to document his work was like challenging to solve a riddle that Makoto left for fun. Every time I stumbled upon a difficult question, I saw his smiling face in my mind and I felt as if I were actually having a dialogue with him. Moreover, like a bonus point for a difficult question, each time an interesting back story came out from Andreas! It was a very happy time for me. I feel very honored to have been involved in the editing and translation of this project, which is fulled of love.
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